Thursday, October 31, 2013

WEDNESDAY, MAY 12, 2010

Clouds of Probabilities

Right before The Big Bang an ethereal humming was lingering in this so called Improbable Plane.
It could have been the echo of a previous failed attempt at Creation or the residue from a defective muffler from Multiverse X15, or something similar. Fact is that a while later, somewhere in Long Island City, Queens clusters of notes from that improbable source materialized on several sheets of Fabriano paper and a number of sizes of stretched Belgian linen and plywood panels. It was no accident, just another confirmation of Godel's Theory of Incompleteness, this time with pigments, alkyds and mineral spirits. The alchemist in charge, Massimo Kaufman armed with a set of flat brushes and eyedroppers released the elusive harmonies from their immaterial condition to the delight of privileged eyes. Entropy, marching orchestras, stellar ecosystems, Zappa's histrionics converge in a new Braille alphabet for the forbidden pleasures. We are looking at a multiple-layered map where intuition meets control and chemistry and physics blend with poetry. It looks as if an imaginary conversation with a mesmerized audience has been taking place. The audience is asking Massimo to add more and more of the magical dots to his canvas. But he knows better when to stop. One droplet in excess and the whole order of the universe might become disrupted.

Nicholas Veg
May 2010, New York

Saturday, October 19, 2013

Mystical Neo-Realism

It may sound New Agey, it may look like a subliminal contradiction, but when four shamans congregate to address the notion of what is real and how to deal with it, this looks like serious business.
The shamania is here to challenge the legality of the laws of physics: how can a gesture become Now-for-Ever an echo; how museums preserve materialized echoes. The shamania collect all the thinkable ideas all the way to an Event Horizon and sometimes even stop for a blink on that hypothetical edge to watch the birth of a star in another Universe. Then they thread a mesh of all the forgotten wishes and desires since time immemorial into a tangible fabric named Freedom.
To be more specific, let's say one of them freezes the staccato of a hypothetical Babylon into the slow moving particles rhythm of a metal plate. Another one catches the bouncing light from it onto a Silicon chip and dips it into a mystical developer that keeps all the possibilities open.
From there it is retrieved by a third one, The Sound Master, who then sets the luminous echoes free to mingle with real Babylon.
Now comes the crazy one who's tracing bits and pieces of dissipated echoes and molds them into a totemic gathering of artifacts reminiscent of the original plate. All this may resonate with Berdyaev's Apokatástasis - that is universal salvation through restoration to the original or primordial condition, with the difference that our metaphysical quadrumvirate is restoring what we call reality to the original pre-Divine form through their exuberant Art. 
There is a long tradition of mysticism in art, if one were to think as far back as the cave paintings of Altamira or Lascaux way up to Brueghel, Caravaggio, Picasso, DalĂ­ or Andrew Wyeth. The difference is that those were only local manifestations of the mystical in a fragmented reality. The Now Mysticism is happening more and more as Global Reality. The concept of Now is present everywhere we can reach with our minds and true Art is the ideal vehicle.
Mirolevich, Vishnyakov, Molochevski and Meret – the aforementioned Neo-Mystics and members of the shamania – gather their bits, pixels and all the particles that can afford a name, into voluptuous clouds of probabilities, which need only an open minded public to become a tangible vibrant Reality.
Now this is one hell of a trip to take on and you're invited! You can call it The Mystical Neo-Realist Tour!



Sunday, October 13, 2013

A Short Hronomian History

These are excerpts from Nicholas Veh's notes about one of his momentous intersections with the Hronomian Timeline discovered while uploading a posting to his Facebook page.

It was his first contact with Chian Kai that set it up, when he got his invite  to become friends on FaceBook.  Veh was always doing a routine checkup on any uninvited solicitation coming from the web. He would just check the "about" entries, mutual friends, eventually Google the name, etc. As it often happens, he draw a blank but hey, that was nothing unusual. However, the name, for sentimental reasons if not for anything else made him accept the invite. The resemblance with the name of the former Chinese leader and the night spent in Chiang Kai-shek's bedroom at the general's summer residence during one of his trips in Taiwan made Veh give it a try. From the very beginning Chin Kai was enthusiastic about Veh's art related postings. His comments seemed educated but the choice of words was at least strange. They started exchanging messages and with the increasing interest on both sides switched to chatting. What hit Nicholas most of all was Chian's incredible ignorance in history issues. Any reference of that kind would draw a blank. Again that wasn't exactly unusual,  especially in America, but when an obviously Asian person never heard of Kamikaze ...
Later on he found out that in the Hronomian timeline Kublai Khan attacked Japan a month earlier and the weather was marvelous for a landing...
...
It is commonly accepted among the Hronomian caste of shamans that, with the assumption of a divine intervention the first moment of The Genesis was preceded by a so called Delta Delay. The term imply that all signaling of a beginning be it "Fiat Lux" or whatever, occur with an infinitesimal delay. Technically for a divine maker a delta delay would not be measurable unit, but from a  practical perspective one would equate a delta delay with the smallest time unit one could measure. In contemporary Terrestrial terms that would be a femtoseond added to the beginning of the universe.  In the Hronomian Time Line it is called The Moment and it is the product of the ultimate quanta that is perpendicular on the unique reference point known as NOW. (A footnote in Veh's entry pointed to the traditional representation in a certain Terestrial religion of God's eye enclosed in a Delta sign.)
...
In the early eight hundreds (that is Hronim Time that starts in 1155 our timeline - the assumed date of birth of Genghis Khan) the Hronomians developed the concept of Momenteternity - an intensive exploration of the wave patterns in the widely common Hronomian practice of Total Dynamic Stillness. It was a kind of creatively induced mindfulness that would focus on the unfathomable aspects of a Moment.
The discipline of TDS allowed a vertical probing into a designated moment using the regressive tendency of a basic brain wave towards initial alter-state - the primordial particle. It is something like the opposite of the accelerated expansion of the universe, at a subatomic scale..
...
The Hronomians are a Temporeal culture  That means they manifest a tendency to shift the coordinates of their existence preferably  towards dwelling in a Time-Space continuum, where the manifestation of Time is physically prevalent and Space tends to recede into abstraction. They strive to develop a tri-directional time frame where in addition to past and future they would  focus on exploring the depth of the moment.
One of the most common practices was to bring oneself to such a creative frenzy that the intensity of the basic string vibrations would obliterate any connection with the common reference points of a conventional Terestrial  existence. The past and the future become irrelevant . Any time residue outside the Moment is devoured by the Hronovore covering the surrounding virtual space.

...
...Nicholas Veh, The Hrononaut discovered the point of entry into that enhanced Creative State of Mind that transforms the concept of exit into an entry =  a beginning,  point where from our Newtonian perspective the time stands still. The process of attaining that involves practices as non-referential mindfulness, catatonic event distinction and abepelaid interval constriction ( don't even bother asking what it means). 
...
Initially the Hronomians coexist in both Space-time and Time-space Continuums. 
The Ultimate Quest is to find the Personal Sublime Moment where any deed can be augmented to Cosmic proportions. The trove of a Sublime Moment is confirmed in a ceremonial custom named A-temporal Bridal Communion.  According to Nicholas Veh the courtship ritual for the Hronomians requires the capture of the Hronovore Beast that is inevitably lurking in the vicinity of any moment and use its hide as a part of the ceremonial outfit for the Bridal Ceremony. A successful hunter would be honored with the title Magister Momento - Master of the Moment and would have absolute control over the influence of his past or future in defining the intensity of his chosen Sublime Moment.

The ultimate accomplishment for a Hronomian is defining The Beginning of a Chosen Moment when his or hers physical presence is removed from the current Space-Time Continuum. A reminiscence of his Space related existence is displayed and celebrated by placing a Ceremonial Idol in The Shrine of Hronim. The Idol would be adorned with the hunting outfit worn at the time of The Ultimate Hunt and a slightly tridimensional replica of the captured Hronovore hide that is encoding the hunter's original history and possible futures.              
As expected,there isn't any accurate account of the actual time transgressions . The bits and pieces gathered in the Shrine's database are mostly notes left by Nicholas Veh.
Magister Momento stands beyond the equivalent of an Event Horizon - the all-absorbing moment acting as a Black Hole. Time loses all connection with any physical manifestations and reverts to the pure intelligence  of the very beginning that thought of it, the one preceding the Delta Delay.

Tempore Manducans Bestiae is a creature, for lack of a better word, known only in Time-Space Continuum. It is the only species listed under Hronovores, although that is strongly debatable in the Space-Time alternative. It's territory of activity is in the immediate vicinity of the Moment's Event Horizon. However there are known cases of territorial overlap in the presence of time-compression occurrences associated with Singularities.  The Hronovore confrontations are brutal and instant. There is no time value to the confrontation - not even a Delta Delay. In simpler terms it's a merger. Surprisingly the smaller specimen is usually taking over allegedly due to the creature's anatomy. The grid-like structures with powerful spiral patterns have been identified as similar the ones found in the human Cortex when nano layering it. The mirror finish of the Hronovore structure makes the hunting extremely difficult especially as their presence being detectable only through a parallel mirror device.


Nicholas Veh 
New York, October 2013

Wednesday, October 2, 2013

The Dream Converter

Dreams remain an unfathomable enigma as far as their provenance or manner of controlling them.  Most likely a brand of subtle energy,  they touch our minds in unpredictable  ways with potentially dire consequences. However they are vital for our mental sanity and in high demand in the diverse aspects of our culture.  For such a reason there is a special caste of individuals capable of harnessing them and giving them a physical presence. They are the so called "dream converters" and one could find them active from Tasmania, Down Under all the way to Minsk, Belarus. Actually one of them - Artem Mirolevich is from Minsk and is currently churning dreams of every imaginable kind in the citadel of all dreams, New York City, where their density can mislead you to believe them for real.
What makes the Mirolevich brand of "dream converting"special is his quest for grandiose visions of almost apocalyptic intensity that are rendered with hallucinating detail. His uniqueness  relies in his capacity of exorcising evil from the most dramatic compositions replacing it with a dash if wit and humor.  Even his gigantic shark roaming above a submerged city  is having a mesmerizing attractive  effect on the viewer.
The real "Dream Converters" are a rare breed. If you find one keep close and share his vision.
The importance of what they are doing is such that no matter of how much they would be paid it still would seem they are working "pro bono".


Sasha Meret, New York, July 2013


Old Ship - Artem Mirolevich

Litho-harmonies in Languedoc

There is an ageless white haired sage dwelling in the heart of Languedoc who's chiseling incessantly a magical formula for capturing time into the crystalline structure of stone. It is a ruthless endeavor  for time can be quite a nefarious foe and actually very few can boast with a definite.result in this kind of quest. One of them named Ariel Moscovici is a long time practitioner of this so called Hrono-Lithography, a practice as ancient as the first gesture of a prehistoric shaman. He inhabits a space where history is in a perpetual echo stasis, so tactile that simple blinking of the eyes seems to leave traces on one's surroundings. His expertise is in capturing time traveling crystalline structures careless enough to pause briefly,inside his sanctuary. He tempers them with his brand of esthetics although he would deny it, maintaining that esthetics to him would be what Ornithology is to birds. Time with an array of multidimensional nuances can be a mesmerizing site and Moscovici, an exquisite tuner of litho-harmonies is placing them at the most auspicious conjectures to increase their resonance. Several time units ago he managed to place a eight-part formula in the proximity of the tallest structure built on the Northern shore of the island of Formosa - four split bubbles of pure marble time traveling from Palumbrian to an unknown destination. There is a debate going on about the symbology revealed and the long term effect it may have on the viewers. But there have been accounts that it is just enough to slant your eyes at the right angle and you can glimpse into an age when a nameless ocean was trying to mimic the sky.

Sasha Meret, New York, September 2013